Luciano Berio: Sequenza VII Year of composition: ; Scored for: for oboe; Composer: Luciano Berio; Adaptation: Jacqueline Leclair; Instrumentation. Chemins IV, for oboe and eleven strings, can be listened to as a commentary to my Sequenza VII for oboe (), a commentary that amplifies and develops. Find composition details, parts / movement information and albums that contain performances of Sequenza VII, for oboe on AllMusic. Luciano Berio. Sequenza .

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Luciano Berio’s Sequenza I for flute explores counterpoint via a monophonic instrument xequenza using materials that reflect the loss of tonal foundations and a great expansion of rhythmic possibilities.

Sequenza VII, for oboe | Details | AllMusic

In Sequenza VII for solo oboeBerio makes more explicit the relationship between the horizontal and vertical aspects of the music by incorporating a drone, the pitch middle B, which is either taped or played by an offstage instrument.


This decision flirts with tonality, or more accurately, with the idea of a tonal center that is not dependent upon traditional harmonic progression. The oboe intones the same pitch in short bursts, plays above and below the pitch, and gradually becomes increasingly independent of that center, incorporating the extended possibilities of pitch bends, micro-intervals and multiphonics.

Alternate fingerings also add to the work’s timbral range.

How to study it – Berio and Sequenza for oboe

Eventually, all returns to the unrelenting B. Like earlier entries in the Sequenza series, Sequenza VII was used as the ssequenza for another, expanded work, in this case Chemins IV for oboe and strings AllMusic relies heavily on JavaScript.

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Luciano Berio: Sequenza VII

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