Canon AE Posted ’06 If you find this manual useful, how about a donation of $3 to: M. Butkus, 29 ESPANOL LANGUAGE PDF MANUAL Edicion an. The Canon AE-1 is a 35 mm single-lens reflex (SLR) film camera for use with interchangeable It supports either manual exposure control or shutter priority auto exposure. the AT-1 (released ), A-1 (), AV-1 (), AE-1 Program () . Español · فارسی · Français · Latviešu · Nederlands · 日本語 · Русский. CANON AE-1 Program SERVICE, PARTS, USER MANUALS Manual Included · all MINOLTA 35 mm cameras 35mm CAMERA Manual MANUALS ++.
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The Canon AE-1 Program is one of the most popular camera models of all time. This meant that regular users could produce extremely high-quality images by simply pointing the camera towards their subject and pressing the shutter release button. Unsurprisingly, Canon sold a kazillion of these during the s, and even today it continues to be among the easiest models to find on eBay.
The Canon AE-1 Program could very well be the perfect memory-making machine, and one of the best ways to experience photography in its purest form. The Program mode was arguably the biggest selling point of the AE-1 Program back in the 80s, but the camera offered many more interesting features for the more advanced user, which made it a commercial hit among all kinds of photography enthusiasts.
As convenient and worry-free as the Program mode is, where the AE-1 Program really shines is in full manual mode. The Canon AE-1 Program offers just the right amount of options, without all the clutter present in modern cameras. This is simplicity at its best. This allows you to shoot freely by simply dialing in the desired shutter speed, as the camera will select the appropriate aperture automatically. The AE-1 Program is a truly beautiful camera.
Its design takes a page from the classic Leica rangefinders, only adapted to an SLR body. The top and bottom plates are made of chrome-plated plastic.
The rest of the body is made of textured plastic, and provides just the right amount of grip. It is, after all, a full-fledged SLR.
This is the classic equivalent of modern ISO, which is always necessary to configure because films with different speeds will need different exposure parameters. Once you select the appropriate speed, you can just forget about it until you change to a different film type.
The back of the camera is elegant and sober, without any superfluous elements. The viewfinder is huge and bright, and it makes it really easy to compose shots with any FD lens, even in poor lighting conditions. It also has a built-in display with everything you need to know to select the right exposure parameters. There are several vertically aligned LEDs to the right of the viewfinder, which display the appropriate aperture for the selected shutter speed.
This is great when shooting in manual or shutter priority modes. I only have one, but the AE-1 Program originally shipped with several interchangeable screens optimized for different types of scenes.
There are simply no unsolvable problems with this camera. Loading film onto the AE-1 Program is quick and easy: Another thing I just love about the AE-1 Program is its incredible battery life.
It uses a single battery that is concealed behind the grip, and it can just keep on firing away for ages. When I first grabbed the camera out of storage, the original year-old battery that was inside still worked! Other than that, there are several nice details that add to the overall usability of the AE-1 Program like the battery-check button, the AE-lock button and the depth-of-field preview button.
And of course, the super-awesome, all-leather original carrying case that my father bought for it, which is almost as cool as the camera itself. All in all, the AE-1 Program has a really solid and delightful design which is every bit as pleasant to look at as it is to use. What else is there to ask for? This is because in digital photography, the imaging sensor that lies in the camera body is the component that ultimately defines image quality: Not so with a film camera.
In film photography, film actually is the imaging sensor, and the camera body is little more than a user-controlled shutter that lets in the appropriate amount of light to record exposures.
Therefore, the results are only determined by the lens and the film, with the camera body acting as a mere intermediary. The quality of the bokeh is nothing to write home about, but still perfectly adequate. Other than that, the lens is a pleasure to use, with a nice smooth focusing ring and plenty of sharpness to boot. On the outside, both lenses are very similar: Both lenses are the newer FDn versions, which feature a bayonet mount with a single release button, instead of the screw mount of older FD lenses.
This is in no small part because my favorite focal length is 35mm, and I have yet to own a similar lens for any of my other two cameras. I do hope to rectify that soon enough, though. The Canon AE-1 Program offers all the features you need to shoot with virtually any type of film.
Want to get nice skin tones? Go with the excellent Kodak Portra.
Want super saturated colors with minimal grain instead? Kodak Ektar is what you want to use.
Adventures in Film Photography: The Canon AE-1 Program
Want jaw-dropping, vibrant colors? Nothing can touch Fuji Velvia You have gorgeous films for daylight, and others that excel indoors. You can choose the type of grain, and the size as well. All these possibilities and many more are right at cajon fingertips, and all it takes is a few seconds. Imagine a world where you could just as easily switch the imaging sensor of your digital camera.
Imagine if you could have the Fuji colors whenever you wanted, or the unmistakeable Leica rendering, or the Canon sharpness by doing something as simple as swiping a memory card.
Imagine if Canon had tried to release a top se1 the line film camera in the s, and then told their customers that they could only shoot Kodak Portra with it.
Canon AE-1 instruction manual, user manual in multiple languages, PDF manual, free manuals
Portra is a nice film, no doubt, but back then nobody would have bought such a camera. To that I say yes, to a degree. It all comes back to being a deliberate photographer and being in control of your photography, as opposed to just shooting and dealing with what comes out of the camera later. Here are a few of my favorite ones, some of which you may have already seen around here before.
The Canon AE-1 Program is a technical marvel of simplicity, ergonomics, functionality and yes, charm. I truly enjoy using this camera and, despite not offering all the latest and greatest features, it has everything I need to create the images I want. Most importantly, it always leaves me wanting to come back for more, and inspires me to try new things and get out of my comfort zone.
If you feel like feature creep is getting the better of you, the AE-1 Program is how you fight back. It was enjoyed by millions of people years ago, and it continues to be a landmark in photography for many film enthusiasts around the world. The Canon AE-1 Program group on Flickr is packed with tens of thousands of absolutely stunning images, and many new ones are still being added every day.
This camera is not going anywhere. The top plate features all the main controls. The ASA selector is on the top left. The back of the camera is simple and elegant. Loading film is quick and easy with the AE-1 Program.
All Canon FD lenses have manual aperture rings and distance scales.