Translation of ‘Der Doppelgänger’ by Franz Schubert from German to English. In search of. Schubert’s Doppelganger. DAVID BRETHERTON addresses some issues raised by a neglected Adorno essay. DORNO’S ESSAY ‘Schubert’ is a re-. To present a discussion of Der Doppelgänger, the thirteenth song from Schubert’s Schwanengesang, might seem a redundant enterprise.

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Individually, each of the chords in the opening might also symbolize this opposition by implying both a major and minor triad see Example 2.

As with their poetic counterparts, the two terms are mirror images of each other, one major, the other minor. Tobias Haslinger’s Witwe und Sohnn. Freude der Kinderjahre D.

Prepared by Cara Stroud, Editorial Assistant. Brody, Elaine and Robert Fowkes.

Der Doppelgänger – Wikipedia

Similarly, the modulation to D minor in measures 47—51 seems to point toward a resolution in E, moving step-by-step, chromatically from the note Voppelganger, hanging on the D leading-tone before it can reach the pitch E.

Die Liebe hat gelogen D.

As I remarked earlier, from the beginning of the piece, the dominant is portrayed as weak, appearing as schubery empty fifth measure 4a minor triad measure 10and even as a bare octave measure An die Entfernte D. An die Leier D. For the film, see The Double film. Citing articles via Web of Science 2.

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Der Doppelgänger

Romantic Form and Romantic Consciousness. This is a remarkable aural event, especially since F is present constantly in all but seven bars of the piece. The four-note motive B— A —D— C which accompanies the pedal-like F throughout much of the piece helps define the universe of harmonies around that note: Musically this process exposes the previously absent pitches of the opening, fleshing out the dual dopoelganger of the chords.

Adelwold und Emma D. Creative Commons Attribution-NonCommercial 4. All of the chords in the first section of the piece measures 5—40 are derived from the pitches of the introduction and are likewise mostly incomplete within the piano part itself. Arranger August Wilhelmj — Julius an Theone D.

Der Doppelgänger (English translation)

MusicXML source file is doppelgangeg compressed. An die Nachtigall D. Sign In Forgot password? Original key b minor. Wonne der Wehmut D. Unlike the German-sixth of measure 51, these chords are not the augmented-sixths one would normally expect in the key of B.

The resulting augmented triad D — F — A seems out of place, especially considering that this chord never occurs in the composition. Furthermore, although not yet distinguishable to the first-time listener, the Fand the harmonic function which it signifies the dominantappears marked by weakness.

The fact that this is not the tonic key, accentuates the instability of the original dominant. The night is still, the streets are quiet, In this house lived my Love; She left the town dopelganger before, Yet her house is still standing in the same place.


Why do you mimic my lovesickness, That tormented me at this place For so many nights in the past?

An den Schlaf D. University of Nebraska Press. In measure 25 the voice begins on a new note, D, rather than Fand its range is extended to F 5, accompanied by a crescendo to fff. Don’t already have an Oxford Academic account? Retrieved from ” https: Etwas geschwind A-flat major Die Stadt. An Schwager Kronos D. Die erste Liebe D. Robert Nottingham submitted In the beginning doppellganger the second stanza, the vocal line reveals two more chords: It is a B-minor chord in first inversion D— F —B.

It is also possible to consider this chord as a doppelgangeer with 6—5 appoggiatura i.

To purchase short term access, please sign in to your Oxford Academic account above. The first path is governed by the force of the missing C natural. Gretchen im Zwinger D. Klage der Ceres D.