Misc. Notes, version and version of this are very similar, but the aria is in the subdominant relative to the (A minor) sinfonia in , dominant in Italian text. Lascia ch’io pianga la dura sorte. E che sospiri la libertà! Il duol infranga queste ritorte de’ miei martiri sol’ per pietà. Libretto entered by tiikeri (added ) Lascia ch’io pianga, Almirena’s aria from Rinaldo Lascia ch’io pianga Mia cruda sorte, E che sospiri La libertà.

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Lascia ch’io pianga

Creative Commons Attribution 3. Creative Commons Attribution-NonCommercial 3. Creative Commons Attribution Non-commercial 3. Work Title Rinaldo Alt ernative. Retrieved from ” http: Operas ; Theatrical Works ; For 6 voices, orchestra ; For voices with orchestra ; Scores featuring the voice ; Scores featuring the soprano voice ; Scores featuring the alto voice ; Scores featuring the bass voice ; Scores featuring the orchestra ; Italian language ; For 4 recorders arr ; Scores featuring the recorder ; For 4 players ; For harpsichord arr ; For 1 player ; Scores featuring the harpsichord ; For piano arr ; Scores featuring the piano ; For trumpet, harpsichord, strings arr ; Scores featuring the trumpet ; Scores featuring string ensemble ; For strings with soloists ; For trumpet, organ arr ; Scores featuring the organ ; For 2 players ; For 5 flutes arr ; Scores featuring the flute ; For 5 players ; For voice, guitar arr ; For voices with solo instruments ; Scores featuring the guitar ; For cello, piano arr ; Scores featuring the cello ; For guitar arr.


Contents 1 Performances 1. Cara sposa, amante cara Act I 1.

Lascia ch’io pianga Act II 1. Lascia ch’io pianga Act II 2. Javascript is required for this feature. Isabella Stewart Gardner Museum. Original instruments; not an arrangement.

Performer Pages Bert Alink guitar. These file s are part of the Werner Icking Music Collection.

Aria Database – Search the Database

Editor Friedrich Chrysander — Virtually all the music of and is lasdia in the revised volume, though with deficiencies of detail especially in the stage directions. The additional arias of the revivals in the period —17, of which Chrysander was unaware, are not shown” Source: The New Grove Dictionary of Opera.

Harrison MillardEnglish text. This file is part of the Sibley Mirroring Project. Ferdinand GumbertGerman text. Editor Ebenezer Prout Nathan Haskell DoleEnglish text.

Let me weep (Lascia ch’io pianga) | Jacob de Haan

Oliver Ditson Company Henry Grafton ChapmanEnglish lascka. Editor Pierre Gouin – Contact. Arranger Giuseppe Martucci Arranger Philipp Roth Arranger Pierre Gouin – Contact. Arranger Moritz Moszkowski — The Etude MagazineApr.